This Week in Texas Music History, we’ll remember an eclectic Texas musician who continues to defy categorization.

Art Conspiracy turns 5 this year, and Art&Seek is thrilled to be partnering with the group to bring you this year's event. Today we reveal the location, the bands, the beneficiary and more!

This Week in Texas Music History, we’ll celebrate a woman who wrote the state’s first known English-language song.

Last in our series of one-on-one interviews with the architects behind the AT&T PAC. After their press conference, Norman Foster and Spencer de Grey talked with us about loving opera, traditions vs. popularity and the AT&T logo on the Winspear's roof.

Did you attend the live performance of Philip Glass' Dracula score on Saturday at the Winspear Opera House? KERA's (and soon to be KXT's) Paul Slavens did, and he sends along this review.

KERA's Bill Zeeble talks with Winspear Opera House acoustician Bob Essert about his sound design for the hall.

It's a twofer. The Winspear had back-to-back openings this weekend — did you hear? — with the Dallas Opera and TITAS. Bill Zeeble reports on the response to Otello and Jerome Weeks reviews Philip Glass' Dracula.

"Track By Track" appears every other week on Art&Seek. During the podcast, Texas musicians play their new albums and discuss what went into making them with KERA "90.1 at Night" host Paul Slavens.

This Week in Texas Music History, we’ll look at an accomplished songwriter who is probably best remembered for his more humorous compositions.

We've heard a lot about the Winspear's red glass, its solar canopy, its chandelier. But none of that matters quite as much as something that's really going to get tested tonight — the hall's acoustics. Bill Zeeble reports on what we might hear at tonight's opening of the Dallas Opera's Otello.