We have seen the future and it looks like DEVO: The Undermain Theater opens its new season next week with Len Jenkin's surreal, sci-fi noir, Port Twilight. So we spoke to artistic director Katherine Owens about the future in Port Twilight and the Undermain's own Campaign for the Future.

Art Conspiracy turns 5 this year, and Art&Seek is thrilled to be partnering with the group to bring you this year's event. Today we reveal the location, the bands, the beneficiary and more!

Big noisy fun but that's all: DTC artistic director Kevin Moriarty opens the company's new home with A Midsummer Night's Dream that pumps up the volume and the dancefloor energy. It's got balloons, graffiti art and squirt guns. Forget about anything heartfelt, though.

Last in our series of one-on-one interviews with the architects behind the AT&T PAC. After their press conference, Norman Foster and Spencer de Grey talked with us about loving opera, traditions vs. popularity and the AT&T logo on the Winspear's roof.

Commerce-based artist David Zvanut talks about technology’s role in producing Music on Parade, his winning entry in the 4th Annual Catholic Foundation Plaza Artists Competition, as part of this week’s Art&Seek Q&A:

In Cormac McCarthy's novels, the Texas-Mexico border is a major, dramatic life-changing event for young Anglos headed south. In Oscar Casares' writing, the border is a fact of life — to be negotiated, ignored, overcome. The Brownsville native talks to us about family legends, the border and his new novel, Amigoland.

Innovative architect Rem Koolhaas met with the media last week — and then sat down with us to answer questions about the Wyly Theatre, Dallas architecture ("very bland"), the courage of Dallas donors and the horizontal vs. the vertical in the Arts District.

It's a twofer. The Winspear had back-to-back openings this weekend — did you hear? — with the Dallas Opera and TITAS. Bill Zeeble reports on the response to Otello and Jerome Weeks reviews Philip Glass' Dracula.

This Week in Texas Music History, we’ll look at an accomplished songwriter who is probably best remembered for his more humorous compositions.

We've heard a lot about the Winspear's red glass, its solar canopy, its chandelier. But none of that matters quite as much as something that's really going to get tested tonight — the hall's acoustics. Bill Zeeble reports on what we might hear at tonight's opening of the Dallas Opera's Otello.