Art&Seek

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‘The Program’: Video Art at Conduit Gallery

July 24th, 2008 by Manny Mendoza

Drawing Restraint 13 by Matthew Barney

Video art is about to get what may be its most serious and thorough treatment ever in North Texas. Beginning Saturday, the Video Association of Dallas, best known for putting on the annual Dallas Video Festival, hosts a five-week series of video programs, installations and performances at Conduit Gallery.

Curated by art critic Charles Dee Mitchell, multimedia artist Carolyn Sortor and VAD founder Bart Weiss, “The Program” opens at 5 p.m. with a reception, followed by the screening of a 90-minute video compilation. The work will stay up until it’s replaced by a new wave of video and installations each Saturday.

This week’s works include Drawing Restraint 13 by Matthew Barney; RMB City - A SecondLife City Planning by China Tracy by Cao Fei; online access to Serpentine’s website exhibition opening of RMB City; Torcito Project by Marcin Ramocki; New Monuments, Endnotes and Hoedown compilation by Tom Moody; and The Arrangement of Two Opposites While their Maximum Contact is Under Generation by Yves Netzhammer.

The night also includes a talk on Drawing Restraint 13 at 5:30 p.m., a live performance by Treewave at 8 and an after-party performance by Apples in Stereo at Sons of Hermann Hall at midnight (ticket required).

Free screenings also will be held at the Modern Art Museum of Fort Worth at 7 p.m. on Aug. 5 and 12. And the Dallas Museum of Art will host free screenings and a panel discussion at 1:30 p.m. Aug. 10.

Tags: Culture · Film and Television · General · Local Events · Music · Visual Arts

2 Comments »

  1. I hope the series will look at the new video forms, Poetry and Art videos. For those who aren’t familiar with them, they are like music videos but instead of a song, each spotlights a single poem or a piece of art.

    Comment by Tom Hendricks — July 24, 2008 @ 8:50 am
  2. interesting program, Barney is a great artist

    Comment by andrea vincenzi — July 24, 2008 @ 9:20 am

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