Thanks for the smiles, Mollie…and the trifle
For almost thirty years, Mollie Sugden brought smiles and outright laughter to not only the North Texas area, but to the world, as Mrs. Slocombe on Are You Being Served. One can’t help but smile when the theme to AYBS plays and you sit there wondering just what color her hair will be in this episode. Like I Love Lucy, you know every line before it’s said, you know “that look” that’s getting ready to come, but you still laugh. Like Lucille Ball, you soon realize how much physical humor played a role in her characters.
Personally, I can’t think of Mollie, especially at holiday time, without thinking of a time almost ten years ago when we had the extreme good fortune to be able to create a documentary for PBS called Celebrating Mollie Sugden: An Are You Being ServedSpecial. We spent a week with Mollie at her home in England during the celebration of her 80th birthday. In addition to being the warmest, most genuine, individual, Mollie never ceased in her desire to make us all feel a part of her extended family.
Not only was she a genuinely caring person, Mollie loved to cook. So, it’s only fitting in our quest for the ultimate holiday menu that we include Mollie’s recipe for Trifle. I will always remember the time Mollie made this for our visit and we stood in her kitchen for several helpings along with John Inman and Wendy Richard. It was incredible! We were all unanimous in that. Although Mollie, Wendy and John are, sadly, no longer with us, we will never forget the smiles and the laughter you have given us over the years and will continue to give us for years to come. Thank you.
Mollie Sugden’s Trifle
Small sponge cake or 6 individual sponge cakes
1 tin of raspberries
3 eggs
1 pint full cream milk
1 Tablespoon sugar
½ pint double cream
Break up the sponge roughly and place in a pretty glass bowl. Pour over this the tin of raspberries, juice and all. (If liked, you can add a good sprinkling of sherry at this stage.)
Bring the milk to a boil in a saucepan, and while waiting for it to boil, beat the eggs in a jug along with the sugar. Pour the boiling milk over the eggs. Rinse the saucepan and return the egg and milk mixture to it. Bring back to a boil, stirring constantly, until the custard thickens and coats the back of the spoon.
Pour the custard over the raspberries and sponge. Leave to cool and set.
When cold, whip the cream until it stands in soft peaks (not too dense), then spoon this over the custard. Just before serving you can decorate with fresh raspberries.
Serve into individual dishes or glass bowls making sure that everyone gets some of each layer.
In Mollie’s own words: “This seems to be a particularly English dessert. There are as many recipes for Trifle as there are women who make it. However, this one is a fairly basic recipe and the one I always use – nobody has ever thrown it back at me!”



The Telegraph UK recently sat down with
Without Jim, Owen, Alice, Frank, David and Hugo, there would be no Vicar of Dibley. Without Baldrick, Percy or even the Lieutenant The Honourable George Colthurst St. Barleigh, the twisted antics of Blackadder just wouldn’t be the same. It’s probably safe to say that Patricia Routledge IS
belongs to Baldrick in Blackadder Goes Forth. Realizing that somewhere, in war, there is a bullet with your name on it, Baldrick, cunningly, carves his name on a bullet thinking that if he owns that bullet, he never gets hit because, obviously, he won’t shoot himself. Brilliant, Mr. Curtis, brilliant! Here’s to you, Mr. Robinson.
- Premiered Sept 8, 1972 when the BBC cancelled live reports from the Munich Olympics due to the Black September terrorist hostage siege as part of a hastily put together Comedy Playhouse.
- The FH on Onslow’s hat stands for Fulton Hogan Ltd., a New Zealand asphalt and road-building company.
- The series was nearly cancelled before it had even started, when Bill Owen (Compo) who was very left-wing and Michael Bates who was very right-wing started having a heated and vigorous argument about their different political affiliations, over dinner when they first met. Producer James Gilbert read them the riot act and told them that unless they agreed to differ, and not to argue about politics, he was going to cancel the project. Owen and Bates meekly agreed and never discussed politics again.
-
David Brent left the drudgery and unglamorous world of selling paper in Slough. Gervais is now involved as script editor on PhoneShop, created, written and produced by Phil Bowker. Head of comedy at Talkback Thames, Bowker gave Gervais his first job in television back in 1999 when he hired a young scriptwriter, Stephen Merchant to help develop a new series for Channel Five. Merchant asked if he could bring along his “hilarious” friend, Gervais, who had just left radio station, Xfm. Not long after, Merchant and Gervais co-wrote The Office and changed British comedy forever.
Set in a mobile phone shop, PhoneShop, starring Tom Bennett and Martin Trenaman and follows the daily battles of pressure selling in a “high street UK” shopping mall. The special premiered this past weekend on Channel 4 in England as part of the experimental Comedy Showcase series. So highly regarded internally, especially given the involvement of Gervais, the show has already been commissioned for 6 episodes slated for production in the new year. If it’s half as good as The Office, I can’t wait.
In true British fashion, the script was spot on, the casting was perfection, headed by Bill Nighy as Quentin, leader of the pirates, and, oh yeah, the music was not too bad either. In fact, I’ll bet that no less than half the theatre was already thinking about where to buy the soundtrack as the first song played over the opening credits.
Mixed in the “heroes and villains” aspect of the story, you have an interesting subplot of the DJ hierarchy that existed between The Count (Philip Seymour Hoffman) and Gavin (Rhys Ifans). Throw in the boy meets girl, boy loses girl, boy gets girl back again and with the soundtrack of your life blaring in the background, you have an enjoyable trip down memory lane.
Now, take away the fact that it was on water. Take away that they all had British accents (except the incredible Philip Seymour Hoffman). Take away the idea that it was the 60’s and not early 70’s. Ok, and take away that it took place in the North Sea and not North Texas. All I could think of while watching Pirate Radio was growing up listening to
Dragging myself into the 21st century, there’s a new radio sheriff in North Texas.
Created by and starring
Originally broadcast during 1967-68 and even counting The Beatles as avid fans, this brilliant series’ location filming was done mostly in
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