In her artist statement Burton, who is Black, states, “Through the lens of my camera I take viewers on an ancestral journey to freedom, deconstructing one fictional family’s fight to reclaim their freedom.”
Burton’s photographic series is comprised of seven portraits of women. Each portrait represents one generation descending from a fictional character named Dada. Together, they span over 200 years. And with each new generation, Burton portrays a renewed determination to strengthen the family’s legacy of freedom.
Although her characters are fictional, Burton said she wanted to honor her ancestors by telling their stories as real and as honestly as possible. So she worked with historian J Lashaé to bring a level of accuracy to each character’s story and to make them real and believable.
This series of photographs is in response to one portrait Burton took a couple of years ago and displayed at the African American Museum.
She called the portrait “Dada.”
“My intention for the “Dada” portrait was to reclaim the image of Mammy as someone African Americans would be proud to hang in their homes as opposed to someone to be ashamed of.”
It was met with diverging points of view, said Burton.
“I found white women would see the image and they would be delighted. They would say. ‘Oh my gosh, she looks just like Mammy. I love her so much.’ And then Black women would look at me like, ‘Really dude? Like, out of all the things you could photograph and this is what you’re doing?’
Instead of shrinking away from discussions, Burton “leaned into them.” She found white women had fond memories of Mammy as a caregiver who nursed and took care of children. Black women felt resentment because Mammy was taken away from her family to take care of other people’s families. Burton found the discussions with these women very powerful.
“I just kept leaning in, and kept leaning in, and kept leaning in. And as I leaned into these discussions, people started asking me very pointed questions about Dada. They wanted to know who she was. They wanted to know where she came from? How many brothers and sisters she had? How was she captured? They started asking me all these questions and I kept saying, ‘You do know I made this up, right?’”
Those uncomfortable conversations resulted in the photographic series, Dynasty: The Peculiar Search for Totality.
“In order for me to tell the full story of Dada, this woman that I created to reclaim the image of Mammy, in order to tell her story, I had to give her a back story and forward story for her legacy. I had to create a family for her. And that’s what Dynasty is. It’s that family.”
The series is more than photographs.
Each portrait is also equipped with augmented reality tech. Download the Sanaa app, point your phone at the portrait and the character comes alive. Each character is able to tell her own story with poetic prose that Burton wrote for her.
Another component of the exhibition is called Ancestral Memories. Burton worked closely with historian/artist Lashaé to fashion artifacts for each character. The displayed elements add yet another level of reality for each family member.
With context added to her photographs, Burton said it will be very interesting to see what kind of dialogue she’ll have now with visitors to the museum.
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